Djibouti

Coordinates: 11°30′N 43°00′E / 11.500°N 43.000°E / 11.500; 43.000

Djibouti (/dʒɪˈbuːti/ ji-BOO-tee; Arabic: جيبوتي‎ Jībūtī, French: Djibouti, Somali: Jabuuti, Afar: Gabuuti), officially the Republic of Djibouti, is a country located in the Horn of Africa. It is bordered by Eritrea in the north, Ethiopia in the west and south, and Somaliland in the southeast. The remainder of the border is formed by the Red Sea and the Gulf of Aden at the east. Djibouti occupies a total area of just 23,200 km² (8,958 sq mi).

In antiquity, the territory was part of the Land of Punt. Nearby Zeila (now in Somaliland) was the seat of the medieval Adal and Ifat Sultanates. In the late 19th century, the colony of French Somaliland was established following treaties signed by the ruling Somali and Afar sultans with the French and its railroad to Dire Dawa (and later Addis Ababa) allowed it to quickly supersede Zeila as the port for southern Ethiopia and the Ogaden. It was subsequently renamed to the French Territory of the Afars and the Issas in 1967. A decade later, the Djiboutian people voted for independence. This officially marked the establishment of the Republic of Djibouti, named after its capital city. Djibouti joined the United Nations the same year, on September 20, 1977. In the early 1990s, tensions over government representation led to armed conflict, which ended in a power sharing agreement in 2000 between the ruling party and the opposition.

Anouar Brahem

Anouar Brahem (in Tunisian Arabic أنور براهم) (born on October 20, 1957) is a Tunisian oud player and composer. He is widely acclaimed as an innovator in his field. Performing primarily for a jazz audience, he fuses Arab classical music, folk music and jazz and has been recording since at least 1991, after becoming prominent in his own country in the late 1980s.

Biography

Brahem was born in Halfaouine in the Medina of Tunis, Tunisia. He studied oud at Tunisia's National Conservatory of Music. In 1981, he left for Paris in search of new vistas. This enabled him to meet musicians from a variety of genres. He remained there as a composer for four years, notably for Tunisian cinema and theatre. He collaborated with Maurice Béjart for his ballet Thalassa Mare Nostrum and with Gabriel Yared as lutist for Costa Gavras’ film Hanna K..

After a period back in Tunisia in the late 1980s, when Brahem was appointed director of the Ensemble musical de la ville de Tunis, he toured in the USA and Canada and then signed with ECM Records with whom he has recorded a series of critically acclaimed albums. These include "Thimar", recorded with saxophonist John Surman and bassist Dave Holland

Task force

A task force (TF) is a unit or formation established to work on a single defined task or activity. Originally introduced by the United States Navy, the term has now caught on for general usage and is a standard part of NATO terminology. Many non-military organizations now create "task forces" or task groups for temporary activities that might have once been performed by ad hoc committees.

Naval

The concept of a naval task force is as old as navies, but the term came into extensive use originally by the United States Navy around the beginning of 1941, as a way to increase operational flexibility. Prior to that time the assembly of ships for naval operations was referred to as fleets, divisions, or on the smaller scale, squadrons, and flotillas.

Before World War II ships were collected into divisions derived from the Royal Navy's "division" of the line of battle in which one squadron usually remained under the direct command of the Admiral of the Fleet, one squadron was commanded by a Vice Admiral, and one by a Rear Admiral, each of the three squadrons flying different coloured flags, hence the terms flagship and flag officer. The flag of the Fleet Admiral's squadron was red, the Vice Admiral's was white and the Rear Admiral's blue. (The names "Vice" (possibly from advanced) and "Rear" might have derived from sailing positions within the line at the moment of engagement.) In the late 19th century ships were collected in numbered squadrons, which were assigned to named (such as the Asiatic Fleet) and later numbered fleets.